![untitled (pink) - 2023](https://freight.cargo.site/t/original/i/5f53710c0a84d8b99ddf292ea9b004ea9e1435d6bd39b5f7d53de2d9082a1c6e/obedvleugels19062023-8-van-10-169.jpg)
![](https://freight.cargo.site/t/original/i/6016552cad8790452e50f121824bbfa8d7b70b7844fc1eb3a30ea229890efa2e/IMG_0817.jpg)
![untitled (white) - 2023](https://freight.cargo.site/t/original/i/3e6e14e377a250332d96998fc300c478f9fef7b6828a6d921d3e694f1df4db60/obedvleugels19062023-10-van-10-169.jpg)
![](https://freight.cargo.site/t/original/i/2a148ad6f76e78eec928c0db48a06ff5e3091e9a94b35093050c616749b26ab9/obed19062023-11-van-20-169.jpg)
![untitled (green) - 2023](https://freight.cargo.site/t/original/i/8c38c9465732c1cc29263316309f8b9bb059895361d8d3857e3f1ff789df5408/obedvleugels19062023-9-van-10-169.jpg)
![](https://freight.cargo.site/t/original/i/3683b089f9a51aae426935560c1f3eff822f63d3908294e9a351dc6361792b06/IMG_0650.jpg)
offgrid 1.1 (2023)
1 -3 / titles in caption
(unstretched) woven polyester, lacquer
offgrid 1.1 series: approx 152 cm × 220 cm (w×h)
request information about availability and prices
Originally, these works were part of the 'Memory Series' and as such included in the same solo exhibition titled 'My Memory is a Sieve'. The ten canvases in this exhibition were initially unstretched and were presented accordingly during a private viewing at the studio one week before the opening. Stretching the works onto the industrial screenprint frames requires a significant effort and investment. Although it results in a bold and compelling presentation, I always grieve over the loss of the typical rough cut, glued and thus distinctive edges and various textures. Gradually, I choose to prioritize the most authentic presentation method among the various possibilities.
(unstretched) woven polyester, lacquer
offgrid 1.1 series: approx 152 cm × 220 cm (w×h)
request information about availability and prices
Originally, these works were part of the 'Memory Series' and as such included in the same solo exhibition titled 'My Memory is a Sieve'. The ten canvases in this exhibition were initially unstretched and were presented accordingly during a private viewing at the studio one week before the opening. Stretching the works onto the industrial screenprint frames requires a significant effort and investment. Although it results in a bold and compelling presentation, I always grieve over the loss of the typical rough cut, glued and thus distinctive edges and various textures. Gradually, I choose to prioritize the most authentic presentation method among the various possibilities.